Thor ragnarok haircut3/13/2023 ![]() But he is stranded on a distant planet ruled by an omnipotent dandy known as The Grandmaster. It’s up to Thor to save the kingdom, of course. If Loki has been the most memorable villain in Marvel’s canon so far, Hela at last gives him some competition. She isn’t the most complex of baddies, but she looks fabulous in her range of black catsuits and her chandelier-shaped headgear, and Blanchett relishes playing her as a bored, drawling, English aristocrat. Thor’s father Odin (Anthony Hopkins) has gone missing, and his utopian homeworld of Asgard is conquered by Hela (Cate Blanchett), the strutting Goddess of Death. Liberated from those mere mortals and their everyday concerns, the film derives much of its humour from the idea that the cape-wearing, mallet-swinging Norse deity is more ordinary, and certainly more conservatively dressed, than the weirdos he meets on his travels. Nor is there any sign of Thor’s ex-girlfriend Jane (Natalie Portman) or the other earthlings from his original supporting cast. But afterwards the action hops so easily from planet to planet that watching the film feels pleasingly like flicking through a pile of comics. A few scenes near the beginning are set on Earth, because Thor and Loki drop in on Doctor Strange (Benedict Cumberbatch). And like Guardians of the Galaxy, it presents us with the comforting notion that outer space isn’t all that different from a glam rock-themed disco. Like them, it’s a light-hearted intergalactic romp full of aliens of all shapes and sizes - the director himself appears as a mild-mannered rock-skinned giant. ![]() In fact, it has less in common with the previous Thor outings than it does with the Guardians of the Galaxy films. In his hands, Thor: Ragnarok is so knowingly daft that it almost qualifies as a parody. The credit for the knockabout tone should probably go to the director, Taika Waititi, a New Zealand comedy specialist who made the sublime vampire mock-doc, What We Do in the Shadows. Whenever he makes a speech about the importance of his noble mission, you can be pretty sure he is going to be hit on the head moments later - and Hemsworth is just as willing to be a stooge in this film as he was in last year’s Ghostbusters remake. This time around, Thor is a hearty lunk who is swaggeringly sure of how heroic he is, even if he keeps bumping into things and knocking them over. Not for him the geopolitical debates or the personal angst of Iron Man and Captain America. More importantly, this sequel, or threequel, establishes its blond leading man as somebody who’s fun to hang around with for two hours. And while it takes its hero’s story to surprising new places, it has an endearing reverence for his comic-book roots: he keeps calling himself “The Mighty Thor”, because that used to be the title of his monthly comic. ![]() It has more coherent fight sequences and more impressive digital effects than its predecessors did. Undoubtedly the best of the character’s three films, it’s more confident than the others, more kaleidoscopically colourful, and more eye-catching in its design. And even in his own vehicles, he is in constant danger of being upstaged by his own brother and smarmy arch-enemy, Loki (Tom Hiddleston). ![]() But compared to his buddies in the Avengers, Thor has never quite taken flight. The God of Thunder’s first two films made around $200 million (£152 million) each, so they’re not what you’d call flops. Judging by his box-office figures, Thor (Chris Hemsworth) is one of the least popular of Marvel’s cinematic superheroes.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |